Second Woman, by Second Woman

Second Woman

by Second Woman

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Arash this is haute couture for the ears.

Dotflac A bouncing ball of variable velocity played by mindfucked robots in a chromy glass room, at 5.000 meters high during a shiny day. Maybe this could try to describe what Second Woman's music suggests.

Their self-titled debut is a futuristic take on the actual IDM world, with unpredictable rhythmic jumps and elusive ambient layers mixing into a refined album of aural anticipation.

Never aggressive but always at full speed, Second Woman handles the flow quite well for a first try.

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	1.	100407jd7 04:06
	2.	200601je6 06:01
	3.	300528mj1 05:28
	4.	400425cc2 04:25
	5.	500609sp3 06:09
	6.	600249li9 02:44
	7.	700358bc5 03:58
	8.	800438ul8 04:37
	9.	900438an4 04:37

about

SP 042

Second Woman is a new collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of the renowned Telefon Tel Aviv. As one would imagine, Second Woman is a nonpareil debut of futuristic electronic music fusing the coveted genetics of the duos respective previous endeavors into an alluring new enigma of ASMR-inducing kaleidoscopic dub. Second Woman is a fully realized entity; a well-crafted sound world and a refreshing shared effort which is inspiring in its purity and painstaking in its design.

The opening "100407jd7" wastes no time exhibiting mastery in both sound and structure, contorting the frequency spectrum into a psychoactive mirage with its mutating tectonics and vaporous tone clouds. Cuts like "200601je6" and "700358bc5" are bar-raising examples of veteran craftsmanship and vision, refining and reengineering the blue prints of their early works to create an original and dynamic album. The deliberation and control over every particle is obsessive, but the end results of each individual track unfold with an organic temperament unparalleled in a grid-locked world of DAW shaped musics and rat's-nest modular aleatory. Words fail where essential sonics are concerned, and this vital new creation speaks for itself.

credits

released June 10, 2016

w+p dietrich / eustis

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